The dust has finally settled after the July Cor Flammae concerts, and we are so pleased to have another successful summer concert series under our belts, and grateful for the artistic experience that came together.
When we chose REFUGE as a theme, it was months before the terrible events at Pulse Nightclub in Florida occurred, but rehearsing in the aftermath we were reminded of why we do what we do. Providing a space for queer singers to make art about survival, and providing a space of meditation on this experience for audiences, is not just an academic exercise but something necessary and artistically relevant to our lives. The point of art is to reflect, parse, transform and bear witness to the realities of the human experience. When people question “why queer art,” this year’s concert allowed us to answer that the queer experience needs to be heard and seen – queer art is a shelter; one that both saves us from the world and allows us to remake it with more room for difference. In making art about the queer experience we do as we always aspire to – connect the abstract beauty of music to that vital heartbeat of human life.
On that note, this year’s programme was a special undertaking. Learning about music history brings the pieces and composers to life for me, not only letting me geek out and expand my own knowledge, but also explore my favourite challenge: how to then translate that experience to the reader. My hope is that it works in concert with the performances to allow listeners to fully engage with this music.